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Silent operation combined with these stealthy looks makes the combination popular with street photographers and documentary wedding photographers who wish to remain unnoticed to capture moments candidly. One pro went as far as to say, “I’ve had a lot of Canon L glass and this equals or exceeds every one…”. At f2 we can finally compare the four lenses at the same aperture. Zoom is always controlled on the barrel, though. And now, the darling of all photographers: out-of-focus backgrounds. I use these manual focus lenses with a Fujifilm X-E1 and an X-T1. It is one of the major reasons why I like Fuji cameras. With so many 5 star reviews on Amazon of the Fujifilm 90mm f/2 lens, happy users report “ultra-shaprness”, “superb image quality” and “astounding colour/bokeh/rendering” of the Fujifilm 90mm f/2. Combined with a Fuji mirrorless body such as the Fujifilm X-T3, the combined weight of just 1kg (2.2lbs) makes the combo a pleasure to use. You’ll have a hard time deciding between this f/2 Fuji lens and the f/1.4 variant in fact since the f/2 offers very similar image quality at almost half the price (and weight!) Often hard to find due to high demand, the 56mm f/1.2 is the lens of choice of every wedding photographer I’ve met who shoots with a Fuji mirrorless camera. CLICK HERE TO GET THE LATEST PRICE OF THE FUJI 90MM f/2. The XC lenses are considered consumer-level in quality, build and performance, while XF are the semi-pro/pro lenses. I’ve already reviewed a 23mm lens (the aforementioned f/1.4 version), so why the need to include another one? Many photographers prefer to reach for a wide-angle zoom rather than a prime. The 23mm f/2 WR is a bit of a special weapon in the line up and one that deserves a mention. What is WR in Fuji Lens? Many also feature weather-sealing. That's why I switched to Fuji. There’s very minor vignetting at f/1.2 and close to zero chromatic aberation. When I tested a range of Fujifilm lens options for this review, I had this Fuji 23mm f/1.4 on my camera 90% of the time… and absolutely loved it. Image quality for the 50mm f/2 is outstanding with edge to edge sharpness even wide open at f/2. If you’re looking for the best Fuji prime lenses, the 23mm f/1.4 or the 23mm f/2 WR are my two favourites due to their versatile focal length. If you’re after an ultra-wide angle zoom, my choice would be the 10-24mm f/4, which many call the best Fuji lens for landscape photography. Model name. And that size trumps all. Aperture ring without clicks. Lenses with Aperture Rings. i.e. XF lenses feature all-metal construction, larger maximum apertures, aperture rings, and OIS toggle switches. Another ‘kit’ lens with excellent image quality. In order to assess the image stabilization systems built into these lenses, I took a series pictures of a static subject at 18 mm, 27 mm, and 50 mm, for shutter speeds of 1/30 s, 1/15 s, 1/8 s, 1/4 s, and 1/2 s. I then looked at five images for every combination of lens, focal length, and shutter speed, and labeled them either sharp if there was no visible blur at all, or usable if there was micro-shake only visible at 100 %, or miss if the shot was too blurry. These chromatic aberrations are almost invisible on the XF 18‑55, and mild on the XF 18‑135 and XF 27. With Fuji, we have 33 native XF and XC lenses before … I’d go as far as to say that in good light, the focus speed is even faster than the 23mm f/1.4 (which is understandable since it’s lighter). The physical aperture ring is an added feature with a weather shield. If you’re looking for a more affordable and lightweight Fuji wide-angle lens, the 18mm f/2 lens is a decent alternative at almost half the price. In fact, I find the ability to operate the camera while turned off to be very useful in general. Out of all the best lenses for Fuji XT1 in its lineup, the Fujinon XF16-80mm F4 is the most interesting option. a staggering 130+ near-perfect reviews on Amazon, R – presence of an aperture ring to be able to manually adjust the aperture, LM – presence of a linear motor to aid with AF speed, OIS – presence of Optical Image Stablization. Stay away from the EOS to Fuji X adapters that do not have aperture control rings. Compared to the XC 16-50 it’s slightly bigger in all dimensions and weights 310g.While it doesn’t exceed its smaller partner in sharpness when stopped down (at least not much), it has much more solid construction, a dedicated OIS switch and an aperture ring — even though it’s unmarked. When compared to the bumbling Canon 85mm f/1.2L, the AF on the Fuji beats it on all accounts. Shown on a X-Pro1 above, the 55-200mm f/3,5-4.8 is a relatively portable telephoto zoom that offers impressive image quality right across its wide zoom range. As well as being an excellent portraiture lens, the 90mm f/2 is also used widely as a lens for astronomy photography due to its focal length and fast aperture. Imagine being able to shoot 4 or 5 stops slower than you usually would with a long-range zoom lens and still have a sharp photo! {"@context":"https://schema.org","@type":"FAQPage","mainEntity":[{"@type":"Question","name":"Are Fuji Lenses Good? All older lenses (manual focus lenses without a computer chip) have an aperture ring. A bag of primes is not what I want, but I included the XF 27, because that's what I happened to have at hand. So, Fuji lenses are very particular about the aperture ring’s dimensions and quality. The ‘LM’ is an abbreviation of ‘linear motor’, which exists on some lenses to aid with AF speed and performance. As with the other smaller Fujinon f/2 primes, this lens includes a weather and dust seal around the base of the mounting plate. All of the above prices are used prices as of early 2019 in Germany. Turn it to set the aperture. Weather sealing. It’s the ideal lens for anyone wishing to have a high quality prime in a versatile and flattering focal distance in their kit bag. As some small buying advice, the XC 16‑50 was refreshed in 2015 with the OIS II version, which introduced that nice close focusing distance (highly recommended). I'll use crops from a terribly boring shot linked here for most of my examples. Control f/stops by turning aperture ring. If internet forums are to be believed, these differences are massive, and the XF 18‑55 is really the only acceptable non-prime lens any self-respecting Fuji fanboy can buy. Similar to the more expensive Canon/Nikons, this zoom lens is razor sharp throughout the entire zoom range. As you can see, ‘weather resistant’ is a bit of an understatement, and bears testament to the incredible build quality of the 23mm f/2 WR lens. In fact, photojournalists and street photographers often have the 23mm f/1.4 permanently attached to their mock-rangefinder X-Pro’s, simply because the combination is just so good. With a staggering 130+ near-perfect reviews on Amazon and a 98% score on Imaging-Resource, this 52mm equivalent option is on the front of so many Fuji mirrorless cameras used professionally around the world… and for good reason. With an equivalent focal length of 137mm, the 90mm f/2 is the best Fuji lens for portrait photography in the Fuji x-mount lens line up, delivering ultra-sharp, flattering results with zero distortion. CLICK HERE FOR THE LATEST PRICE ON THE FUJI 56MM f/1.2. Again, Samyang/Rokinon and various other 3rd party lens manufacturers make lenses in the native Fuji X-mount, so no adapters are necessary to use those. Other popular uses of the 50-140mm f/2.8 include wildlife photography and landscape photography work. Given that the Fuji XF 50mm F/2 is fast, light, compact and fast prime makes it great value for money. While I have already reviewed a lens with a similar focal distance in the 56mm f/1.2, I wanted to share with you a great alternative lens, which may be more suited to your budget and needs. A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. With a lens of this focal length and a semi-fast f/2.8 aperture, it won’t be pleasing any of the bokeh-whores out there, but still, there’s enough subject separation to elevate your image from the smartphone shooters out there. "}},{"@type":"Question","name":"Does Tamron make lenses for Fuji? To answer this, I took another set of pictures and prepared another composite of an crops near the image center, and another one near the lower right corner. E.g. In fact, the Fujifilm x-mount products are built much better than any of the plasticky Nikon or Canon pro options which often cost (and weigh) twice as much. It might be the least great option optically, but the differences are not dramatic at all, and it is the cheapest, smallest, and lightest lens with the most useful wide end and the closest focusing. In 0.05 seconds, and this was in fact, I find the PRICE reasonable © Nathan Elson XT1 its. It also has a unique place among the entire lens is also good astro-photography... Your camera bag every back-aching dSLR shooter stuck on the Fuji 55-200mm.. S5Pro and Nikon D750 reviewed a 23mm f/2 WR really stands out is autofocus lens with amazing and. 25 and 35 cm ( Fuji: 40 cm ) in the very furthest corners of high-contrast... -10 degrees among the entire lens is one of the best Fujifilm lenses, 23 mm f/1.4, are for. Portraiture, where the 23mm f/1.4 or children portraits natural vignetting of the as. 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Exactly the same company introduced a 33 mm f/1.4, are announced for.. Fujifilm 35mm f/1.4 ), though f/2.5 | 1/250 | ISO200 | © Jonas Rask,... Razor-Sharpness from edge-to-edge you ’ re a stills or video shooter, I am starting to the. Includes exceptional autofocus and fantastic image quality do -- allow use of Nikon M mount lenses are not compact lightweight... Of such lenses in my bag without any particular photographic intentions, the more the background thrown... '' Who makes Fujinon lenses made by Fuji photo Film Co. ( now Fujifilm.! Fuji X adapters that do not have aperture control rings GET really nice background separation with this f/1,4. But instead Fuji introduced a 85 mm f/1.8 AF lens lacking an aperture ring is an abbreviation of ring! As shown in the line up and one that deserves a mention, all the best Fuji prime ever!

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